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    <title>SMARTech Community: Responsive Objects Surface and Spaces (ROSS)</title>
    <link>http://smartech.gatech.edu/handle/1853/28542</link>
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      <title>Digital Performance</title>
      <link>http://smartech.gatech.edu/handle/1853/28545</link>
      <description>Title: Digital Performance
&lt;br/&gt;
&lt;br/&gt;Authors: Dixon, Steve
&lt;br/&gt;
&lt;br/&gt;Description: Presented on April 15, 2009 from 12:30 pm to 2 pm in Skiles Room 2.; Steve Dixon is Professor of Performance and Technology, and Pro-Vice Chancellor at Brunel University in London, England. He is also Associate Editor of The International Journal of Performance Arts and Digital Media and has published extensively on subjects including digital arts, cultural theory, performance studies,&#xD;
robotics, and Artificial Intelligence. His 800-page book Digital Performance: A History of New Media in Theater, Dance, Performance Art and Installation (2007, MIT Press) is the most comprehensive study of the field to date, and has won two international awards including the Association of American Publishers Award for Excellence in Music and&#xD;
Performing Arts 2007. His creative practice includes international multimedia theatre tours as director of The Chameleons Group (since 1994), two award winning CD-ROMs, interactive Internet performances, and telematic arts events.</description>
      <pubDate>Tue, 14 Apr 2009 22:58:59 GMT</pubDate>
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      <title>Design and the Future of Museums</title>
      <link>http://smartech.gatech.edu/handle/1853/28544</link>
      <description>Title: Design and the Future of Museums
&lt;br/&gt;
&lt;br/&gt;Authors: Stafford, Barbara Maria
&lt;br/&gt;
&lt;br/&gt;Description: Presented on January 15, 2009 from 2 pm to 4 pm in room 1116 (East Seminar Room) of the Klaus building on the Georgia Tech campus.; Barbara Maria Stafford is the William B. Ogden Distinguished Service Professor, Emeritya, at the University of Chicago. Her work has consistently explored the intersections between the visual arts and the physical and biological sciences from the early modern to the contemporary era. Her current research charts the revolutionary ways the neurosciences are changing our views of the human and animal sensorium, shaping our fundamental assumptions about perception, sensation, emotion, mental imagery, and subjectivity.</description>
      <pubDate>Wed, 14 Jan 2009 22:58:59 GMT</pubDate>
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