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dc.contributor.authorDixon, Steve
dc.date.accessioned2009-06-17T18:23:01Z
dc.date.available2009-06-17T18:23:01Z
dc.date.issued2009-04-15
dc.identifier.urihttp://hdl.handle.net/1853/28545
dc.descriptionPresented on April 15, 2009 from 12:30 pm to 2 pm in Skiles Room 2.en
dc.descriptionSteve Dixon is Professor of Performance and Technology, and Pro-Vice Chancellor at Brunel University in London, England. He is also Associate Editor of The International Journal of Performance Arts and Digital Media and has published extensively on subjects including digital arts, cultural theory, performance studies, robotics, and Artificial Intelligence. His 800-page book Digital Performance: A History of New Media in Theater, Dance, Performance Art and Installation (2007, MIT Press) is the most comprehensive study of the field to date, and has won two international awards including the Association of American Publishers Award for Excellence in Music and Performing Arts 2007. His creative practice includes international multimedia theatre tours as director of The Chameleons Group (since 1994), two award winning CD-ROMs, interactive Internet performances, and telematic arts events.
dc.language.isoen_USen
dc.publisherGeorgia Institute of Technologyen
dc.subjectDigital performanceen
dc.subjectMultimedia theateren
dc.subjectIdentityen
dc.subjectCybercultureen
dc.titleDigital Performanceen
dc.title.alternativeDoubles, Cyborgs and Multi-Identities in Digital Performance and Cyberculture
dc.typeLectureen
dc.typeVideoen
dc.contributor.corporatenameGeorgia Institute of Technology. Responsive Objects Surfaces and Spaces Research Program
dc.contributor.corporatenameBrunel University
dc.contributor.corporatenameGeorgia Institute of Technology. School of Literature, Communication, and Culture


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