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dc.contributor.authorBearman, Nicken_US
dc.contributor.authorBrown, Ethanen_US
dc.date.accessioned2012-07-23T15:14:34Z
dc.date.available2012-07-23T15:14:34Z
dc.date.issued2012-06
dc.identifier.citationProceedings of the 18th International Conference on Auditory Display, Atlanta, GA, USA, 18-21 June 2012. Ed. Michael A. Nees, Bruce N. Walker, Jason Freeman. The International Community for Auditory Display, 2012. 231-232.en_US
dc.identifier.issn2168-5126
dc.identifier.urihttp://hdl.handle.net/1853/44402
dc.descriptionPresented at the 18th International Conference on Auditory Display (ICAD2012) on June 18-21, 2012 in Atlanta, Georgia.en_US
dc.descriptionReprinted by permission of the International Community for Auditory Display, http://www.icad.org.en_US
dc.description.abstractWhat disciplines are applying data sonification, and what synthesis tools are they using to make the sounds? These questions are basic to understanding the state of sonification today, but they are surprisingly difficult to answer. This short review attempts to fill this gap by distilling common patterns of data sonification research. We hope that this will complement other literature reviews and give potential and current sonification researchers a sense of what is happening in the ICAD community, show where there is room for new ventures, and where there is already a lot of active research to connect with. Additionally, we put ICAD in context of other academic publications.en_US
dc.language.isoen_USen_US
dc.publisherGeorgia Institute of Technologyen_US
dc.relation.ispartofseriesICAD2012. Extended abstractsen_US
dc.subjectAuditory displayen_US
dc.subjectData sonificationen_US
dc.subjectSonification toolsen_US
dc.titleWho's sonifying data and how are they doing it? A comparison of ICAD and other venues since 2009en_US
dc.typeProceedingsen_US
dc.contributor.corporatenameEuropean Centre for Environment and Human Healthen_US
dc.contributor.corporatenameStatisfactions.comen_US


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