Now showing items 1-20 of 55

    • Re-Sonification of Geographic Sound Activity using Acoustic, Semantic and Social Information 

      Fink, Alex; Mechtley, Brandon; Wichern, Gordon; Liu, Jinru; Thornburg, Harvey; Spanias, Andreas; Coleman, Grisha (Georgia Institute of TechnologyInternational Community for Auditory Display, 2010-06)
      Sonic representations of spaces have emerged as a means to capture and present the activity that conventional representations, such as maps, do not encapsulate. Therefore, to convey the activity information of regions, ...
    • Sonophenology: A Tangible Interface for Sonification of Geo-Spatial Phenological Data at Multiple Time-scales 

      R. Ness, Steven; Reimer, Paul; Krell, Norman; Odowichuck, Gabrielle; Schloss, W. Andrew; Tzanetakis, George (Georgia Institute of TechnologyInternational Community for Auditory Display, 2010-06)
      Phenology is the study of periodic biological processes, such as when plants flower and birds arrive in the spring. In this paper we sonify phenology data and control the sonification process through a tangible interface ...
    • Sonification Strategies for Examination of Biological Cells 

      Edwards, Alistair; Hunt, Andy; Hines, Geneviève; Jackson, Vanessa; Podvoiskis, Alyte; Roseblade, Richard; Stammers, Jon (Georgia Institute of TechnologyInternational Community for Auditory Display, 2010-06)
      Cervical cancer is one of the most preventable forms of the disease thanks to the fact that pre-cancerous changes can be detected in cervical cells. These cells are examined visually under microscopes, but the objective ...
    • A Sonic Time Projection Chamger: Sonified Particle Detection at CERN 

      Vogt, Katharina; Höldrich, Robert; Pirró, David; Rumori, Martin; Rossegger, Stefan; Riegler, Werner; Tadel, Matevz (Georgia Institute of TechnologyInternational Community for Auditory Display, 2010-06)
      In a short-term research project at CERN, an auditory display of elementary particle tracks has been developed. Data stems from simulations of the Time Projection Chamber (TPC) in ALICE experiment. Particle detection ...
    • Effects of Interface Type on Navigation in a Virtual Spatial Auditory Environment 

      Roginska, Agnieszka; Wakefield, Gregory H.; Santoro, Thomas S.; McMullen, Kyla (Georgia Institute of TechnologyInternational Community for Auditory Display, 2010-06)
      In the design of spatial auditory displays, listener interactivity can promote greater immersion, better situational awareness, reduced front/back confusion, improved localization, and greater externalization. Interactivity ...
    • An Overview of Algorithmic Music Composition in the Noteworks Software Platform 

      Alexander, Robert; Umbaugh, John; Turley, Patrick (Georgia Institute of Technology, 2010-06)
      Noteworks is music composition software that re-imagines the way music is created, played, and shared. Users create musical compositions by building networks and interacting with them in real time. Noteworks reduces the ...
    • Audio-Visual Renderings for Multimedia Navigation 

      Bouchara, Tifanie; Katz, Brian F. G.; Jacquemin, Christian; Guastavino, Catherine (Georgia Institute of TechnologyInternational Community for Auditory Display, 2010-06)
      Our study focuses on multimodal information access to audiovisual databases, and evaluates the effect of combining the visual modality with audio information. To do so, we have developed two new exploration tools, which ...
    • Socio-ec(h)o: Focus, Listening and Collaboration in the Experience of Ambient Intelligent Environments 

      Wakkary, Ron; Droumeva, Milena (Georgia Institute of TechnologyInternational Community for Auditory Display, 2010-06)
      In this paper, we aim to conceptualize the connection between embodied interactions and the experience of understanding a dynamic auditory display response. We have termed this concept aural fluency and hereby continue ...
    • Sonification: Celestial Data and Poetic Inquiry 

      Leonard, Neil (Georgia Institute of TechnologyInternational Community for Auditory Display, 2010-06)
      This paper describes a composition/sonification project to be realized by faculty and students from the Electronic Production and Design department (EP/D) at Berklee College of Music in Boston. The goal of the project ...
    • Signal Painting 

      Baker, Cooper (Georgia Institute of TechnologyInternational Community for Auditory Display, 2010-06)
      Proceedings of the 16th International Conference on Auditory Display (ICAD2010)
    • Two or Three Things you need to know about AUI Design or Designers 

      Jeon, Myounghoon (Georgia Institute of TechnologyInternational Community for Auditory Display, 2010-06)
      This paper presents an overview of the work on Auditory User Interface (AUI) design at the LG Electronics Corporate Design Center, where the author was responsible for all of the AUI designs from 2005 to 2008. The definition ...
    • The Sonification Metaphor in Instrumental Music and Sonification's Romantic Implications 

      Straebel, Volker (Georgia Institute of TechnologyInternational Community for Auditory Display, 2010-06)
    • Sonicfunction: Experiments with a Function Browser for the Visually Impaired 

      Grond, Florian; Droßard, Trixi; Hermann, Thomas (Georgia Institute of TechnologyInternational Community for Auditory Display, 2010-06)
      We present in this paper SonicFunction, a prototype for the interactive sonification of mathematical functions. Since many approaches to represent mathematical functions as auditory graphs exist already, we introduce ...
    • Sonification and Visualization of Neural Data 

      Berger, Jonathan; Wang, Ge; Chang, Mindy (Georgia Institute of TechnologyInternational Community for Auditory Display, 2010-06)
      This paper describes a method for integrating audio and visual displays to explore the activity of neurons in the brain. The motivation is twofold: to help understand how populations of neurons respond during cognitive ...
    • Sonification of Colour and Depth in a Mobility Aid for Blind People 

      Pun, Thierry; Deville, Benoit; Bologna, Guido (Georgia Institute of TechnologyInternational Community for Auditory Display, 2010-06)
      The See Color interface transforms a small portion of a colored video image into sound sources represented by spatialized musical instruments. Basically, the conversion of colors into sounds is achieved by quantization ...
    • Sonic Triptychon of the Human Brain 

      Hermann, Thomas; Baier, Gerold (Georgia Institute of TechnologyInternational Community for Auditory Display, 2010-06)
      This paper describes the motivation, data and sonification technique for three sound examples on the auditory display of human brain activity, selected and formatted as contribution to the ICAD aural submission category. ...
    • The Anchor Model of Musical Culture 

      Fritz, Thomas (Georgia Institute of TechnologyInternational Community for Auditory Display, 2010-06)
      In a recent cross-cultural study with participants from an autochthonous African population (Mafa) and Western participants, it was shown that the recognition of several emotional expressions (happy, sad, fearful) in ...
    • Sonification of NRL Dual-Task Data 

      Brock, Derek; McClimens, Brian (Georgia Institute of TechnologyInternational Community for Auditory Display, 2010-06)
    • Wearable Setup for Gesture and Motion Based Closed Loop Audio Interaction 

      Großhauser, Tobias; Hermann, Thomas (Georgia Institute of TechnologyInternational Community for Auditory Display, 2010-06)
      The wearable sensor and feedback system presented in this paper is a type of audio-haptic display which contains onboard sensors, embedded sound synthesis, external sensors, and on the feedback side a loudspeaker and ...
    • Soundscape Mapping: A Tool for Evaluating Sounds and Auditory Environments 

      Flint, Tom; Turner, Phil; Leplâtre, Gregory; McGregor, Iain (Georgia Institute of TechnologyInternational Community for Auditory Display, 2010-06)
      This paper describes a soundscape mapping tool, and provides an illustration of its use in the evaluation of an in-car auditory interface. The tool addresses three areas: communicating what people are listening to, ...