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dc.contributor.authorLennox, Peter
dc.contributor.authorMyatt, Tony
dc.date.accessioned2013-12-26T04:57:18Z
dc.date.available2013-12-26T04:57:18Z
dc.date.issued2007-06
dc.identifier.urihttp://hdl.handle.net/1853/49987
dc.description.abstractRecent work in audio and visual perception suggests that, over and above sensory acuities, exploration of an environment is a most powerful perceptual strategy. For some uses, the plausibility of artificial sound environments might be dramatically improved if exploratory perception is accommodated. The composition and reproduction of spatially explorable sound fields involves a different set of problems from the conventional surround sound paradigm, developed to display music and sound effects to an essentially passive audience. This paper is based upon contemporary models of perception and presents proposals for additional spatial characteristics beyond classical concepts of three-dimensional positioning of virtual objects.en_US
dc.language.isoen_USen_US
dc.publisherGeorgia Institute of Technologyen_US
dc.subjectAuditory displayen_US
dc.subjectExplorable surround sounden_US
dc.subjectVisual perceptionen_US
dc.titleConcepts of Perceptual Significance for Composition and Reproduction of Explorable Surround Sound Fieldsen_US
dc.typeProceedingsen_US
dc.contributor.corporatenameUniversity of Derby. Signal Applications Research Groupen_US
dc.contributor.corporatenameUniversity of York. Music Research Center, Department of Musicen_US
dc.publisher.originalInternational Community on Auditory Displayen_US
dc.embargo.termsnullen_US


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