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dc.contributor.authorDroumeva, Milena
dc.date.accessioned2014-01-13T01:32:02Z
dc.date.available2014-01-13T01:32:02Z
dc.date.issued2005-07
dc.identifier.citationProceedings of ICAD 05-Eleventh Meeting of the International Conference on Auditory Display, Limerick, Ireland, July 6-9, 2005. Ed. Eoin Brazil. International Community for Auditory Display, 2005.en_US
dc.identifier.urihttp://hdl.handle.net/1853/50196
dc.descriptionPresented at the 11th International Conference on Auditory Display (ICAD2005)en_US
dc.description.abstractThis paper examines the historical and socio-cultural underpinnings of immersive audio seen from the paradigms of Acoustic Ecology and Acoustic Communication. The paper offers the view that in order to understand the many implications of immersive sound, both from a design perspective and from a cultural studies perspective, we need to first examine its social and technological histories. The paper explores examples and concepts of immersive sound from the natural, electroacoustic, digital and interactive domains, and presents a case study of Ec(h)o - a real audioaugmented immersive museum installation.en_US
dc.language.isoen_USen_US
dc.publisherGeorgia Institute of Technologyen_US
dc.subjectAuditory displayen_US
dc.subjectImmersive audioen_US
dc.titleUnderstanding immersive audio: A historical and socio-cultural exploration of auditory displaysen_US
dc.typeProceedingsen_US
dc.contributor.corporatenameSimon Fraser University. School of Interactive Arts and Technologies, Department of Applied Sciencesen_US
dc.publisher.originalInternational Community on Auditory Displayen_US
dc.embargo.termsnullen_US


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