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dc.contributor.authorVickers, Paul
dc.date.accessioned2014-01-13T01:44:07Z
dc.date.available2014-01-13T01:44:07Z
dc.date.issued2005-07
dc.identifier.citationProceedings of ICAD 05-Eleventh Meeting of the International Conference on Auditory Display, Limerick, Ireland, July 6-9, 2005. Ed. Eoin Brazil. International Community for Auditory Display, 2005.en_US
dc.identifier.urihttp://hdl.handle.net/1853/50199
dc.descriptionPresented at the 11th International Conference on Auditory Display (ICAD2005)en_US
dc.description.abstractA good deal of attention has been paid by the auditory display community to the sonification of graphical data and the term au- ditory graph has been used to describe this class of auditory map- pings. We contend that definitions have become blurred leading to first-order sonifications of functions and data being treated as synonymous with the second- and higher-order mappings obtained when graphs of those functions and data are themselves sonified. This paper looks at the different types of sonifications currently known collectively as auditory graphs and, based on this analysis, proposes a purposeful distinction to be drawn between auditory graphs and sonified graphs. An example is taken from the domain of computer programming to further illustrate the argument.en_US
dc.language.isoen_USen_US
dc.publisherGeorgia Institute of Technologyen_US
dc.subjectAuditory displayen_US
dc.subjectSonificationen_US
dc.subjectAuditory graphsen_US
dc.titleWhither and wherefore the auditory graph? Abstractions & aesthetics in auditory and sonified graphshen_US
dc.typeProceedingsen_US
dc.contributor.corporatenameNorthumbia University. Interactivity Research Group, School of Informatics, Engineering and Technologyen_US
dc.publisher.originalInternational Community on Auditory Displayen_US
dc.embargo.termsnullen_US


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