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dc.contributor.authorBandt, R.
dc.contributor.editorBrazil, Eoinen_US
dc.date.accessioned2014-02-17T21:28:47Z
dc.date.available2014-02-17T21:28:47Z
dc.date.issued2004-07
dc.identifier.citationProceedings of ICAD 04. Tenth Meeting of the International Conference on Auditory Display, Sydney, Australia, July 6-9, 2004. Ed. Barrass, S. and Vickers, P. International Community for Auditory Display, 2004.en_US
dc.identifier.urihttp://hdl.handle.net/1853/50908
dc.descriptionPresented at the 10th International Conference on Auditory Display (ICAD2004)en_US
dc.description.abstractThe right to quiet has been defined as a public commons (Franklin, 1993). Public space in Australia is becoming increasingly sound designed. This presentation investigates the variety of approaches by sound artists who have installed public space drawing on the three year ARC Australian Sound Design Project's research, website, http://www.sounddesign.unimelb.edu.au and public outreach Hearing Place. Current trends and practices will be compared and contrasted and conclusions drawn about the implications for Australia's soundscape in the future.en_US
dc.publisherGeorgia Institute of Technologyen_US
dc.subjectAuditory displayen_US
dc.subjectPublic spaceen_US
dc.subjectSound artistsen_US
dc.titleSounding public space: Sound artists in the public domainen_US
dc.typeProceedingsen_US
dc.contributor.corporatenameUninversity of Melbourne. The Australian Centreen_US
dc.publisher.originalInternational Community for Auditory Displayen_US
dc.embargo.termsnullen_US


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