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dc.contributor.authorWorrall, David
dc.date.accessioned2014-04-28T16:50:00Z
dc.date.available2014-04-28T16:50:00Z
dc.date.issued2013-07
dc.identifier.citationProceedings of the 19th International Conference on Auditory Display (ICAD2013). Lodz, Poland. 6-9 July 2013. International Community for Auditory Display, 2013en_US
dc.identifier.urihttp://hdl.handle.net/1853/51668
dc.descriptionPresented at the 19th International Conference on Auditory Display (ICAD2013) on July 6-9, 2013 in Lodz, Poland.en_US
dc.description.abstractMost of the software tools used for data sonification have been adopted or adapted from those designed to compose computer music, which in turn, adopted them from abstractly notated scores. Such adoptions are not value-free; by using them, the cultural paradigms underlying the music for which the tools were made have influenced the conceptualization and, it is argued, the effectiveness of data sonifications. Recent research in cognition supports studies in empirical musicology that suggest that listening is not a passive ingestion of organised sounds but is an embodied activity that invisibly enacts gestures of what is heard. This paper outlines an argument for why sonifiers using parametric-mapping sonification should consider incorporating micro-gestural inflections if they are to mitigate The Mapping Problem in enhancing the intelligibility of sonified data.en_US
dc.publisherGeorgia Institute of Technologyen_US
dc.subjectAuditory displayen_US
dc.subjectMicro-gestural inflectionsen_US
dc.subjectParameter-mappingen_US
dc.subjectSonificationen_US
dc.titleUnderstanding The Need For Micro-Gestural Inflections In Parameter-Mapping Sonificationen_US
dc.typeProceedingsen_US
dc.contributor.corporatenameAustralian National University, School of Music,en_US
dc.publisher.originalInternational Community for Auditory Displayen_US
dc.embargo.termsnullen_US


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