Now showing items 1-20 of 70

    • Causeway 

      Allison, Jesse; Ostrenko, Derick; Cellucci, Vincent A. (Georgia Institute of Technology, 2016-04)
      Causeway is an interactive poetry app and performance written by Vincent A. Cellucci with audio by Jesse Allison and visuals by Derick Ostrenko. Originally a part of Cellucci's book, An Easy Place / To Die (CityLit 2011), ...
    • The Semantic Music Player: A Smart Mobile Player Based on Ontological Structures and Analytical Feature Metadata 

      Thalmann, Florian; Perez-Carrillo, Alfonso; Fazekas, György; Wiggins, Geraint A.; Sandler, Mark (Georgia Institute of Technology, 2016-04)
      The Semantic Music Player is a cross-platform web and mobile app built with Ionic and the Web Audio API that explores new ways of playing back music on mobile devices, particularly indeterministic, context-dependent, and ...
    • reNotate: The Crowdsourcing and Gamification of Symbolic Music Encoding 

      Taylor, Benjamin; Shanahan, Daniel; Wolf, Matthew; Allison, Jesse; Baker, David John (Georgia Institute of Technology, 2016-04)
      Musicologists and music theorists have, for quite some time, hoped to be able to make use of computational methods to examine large corpora of music. As far back as the 1940s, an IBM card-sorter was used to implement ...
    • Geolocation Adaptive Music Player 

      Perez-Carrillo, Alfonso; Thalmann, Florian; Fazekas, György; Sandler, Mark (Georgia Institute of Technology, 2016-04)
      We present a web-based cross-platform adaptive music player that combines music information retrieval (MIR) and audio processing technologies with the interaction capabilities offered by GPS-equipped mobile devices. The ...
    • Live Coding With EarSketch 

      Freeman, Jason (Georgia Institute of Technology, 2016-04)
      EarSketch combines a Python / JavaScript API, a digital audio workstation (DAW) visualization, an audio loop library, and an educational curriculum into a web-based music programming environment. While it was designed ...
    • Web Audio Evaluation Tool: A framework for subjective assessment of audio 

      Jillings, Nicholas; Moffat, David; De Man, Brecht; Reiss, Joshua D.; Stables, Ryan (Georgia Institute of Technology, 2016-04)
      Perceptual listening tests are commonplace in audio research and a vital form of evaluation. While a large number of tools exist to run such tests, many feature just one test type, are platform dependent, run on proprietary ...
    • Programming Music Camp: Using Web Audio to Teach Creative Coding 

      Allison, Jesse; Holmes, Daniel; Berkowitz, Zachary; Pfalz, Andrew; Conlin, William; Hwang, Nick; Taylor, Benjamin (Georgia Institute of Technology, 2016-04)
      Programming Music Camp is a summer outreach camp de- signed to teach computer programming concepts to youths through the activity of music-making. Prior experiences teaching web audio technologies to secondary school ...
    • Web application using Web Audio API for Recorderology - research concerning playing techniques of recorders 

      Mayer-Spohn, Ulrike; Takahashi, Keitaro (Georgia Institute of Technology, 2016-04)
      In this paper, we outline a documentation method used for our music research project, Recorderology, as developed to operate as a web application usingWeb Audio API. Our aim is to propose an application that enhances ...
    • Live Writing: Shatter 

      Lee, Sang Won; Martinez, Mari; Essl, Georg; Pain (Georgia Institute of Technology, 2016-04)
      Live Writing: Shatter utilizes an audiovisual performance developed for a web browser. Here, every keystroke made on a laptop to write a piece of creative writing is captured and precessed to established natural links among ...
    • BPMTimeline: JavaScript Tempo Functions and Time Mappings using an Analytical Solution 

      Dias, Bruno; Pinto, H. Sofia; Matos, David M. (Georgia Institute of Technology, 2016-04)
      Time mapping is a common feature in many (commercial and/or open-source) Digital Audio Workstations, allowing the musician to automate tempo changes of a musical performance or work, as well as to visualize the relation ...
    • An interactive, graphical coding environment for EarSketch online using Blockly and Web Audio API 

      Mahadevan, Anand; Freeman, Jason; Magerko, Brian (Georgia Institute of Technology, 2016-04)
      This paper presents an interactive graphical programming environment for EarSketch, using Blockly and Web Audio API. This visual programming element sidesteps syntac- tical challenges common to learning text-based ...
    • A JavaScript Pitch Shifting Library for EarSketch with Asm.js 

      Martinez, Juan Carlos; Freeman, Jason (Georgia Institute of Technology, 2016-04)
      A JavaScript pitch shifting library based on asm.js was developed for the EarSketch website. EarSketch is a Web Audio API-based educational website that teaches computer science principles through music technology and ...
    • Gendy.js: A Web Audio Module for Dynamic Stochastic Synthesis 

      Bernstein, Andrew; Taylor, Benjamin (Georgia Institute of Technology, 2016-04)
      This paper outlines Gendy.js, a JavaScript Web Audio im- plementation of the GENDYN program for dynamic stochastic synthesis originally authored by composer Iannis Xenakis. The historical development of dynamic ...
    • Constructing AudioUnit Plugins on the Web using Csound 

      Costello, Edward; Lazzarini, Victor; Timoney, Joseph (Georgia Institute of Technology, 2016-04)
      This paper describes a web-based application which can be used to construct AudioUnit plugins. Using this application the audio DSP component of an AudioUnit plugin can be created using the Csound audio programming ...
    • Data-Driven Live Coding with DataToMusic API 

      Tsuchiya, Takahiko; Freeman, Jason; Lerner, Lee W. (Georgia Institute of Technology, 2016-04)
      Creating interactive audio applications for web browsers often involves challenges such as time synchronization between non-audio and audio events within thread constraints and format-dependent mapping of data to synthesis ...
    • Virtual Sound Gallery 

      Bundin, Andrey (Georgia Institute of Technology, 2016-04)
      Virtual Sound Gallery (VSG) is a web stage for modern multichannel music, sound, and audiovisual art. It is an accessible, web-based virtual reality (VR) environment for a visualized binaural simulation of multichannel ...
    • Workshop: Optimizing and Debugging Web Audio API Applications 

      Adenot, Paul (Georgia Institute of Technology, 2016-04)
      In this tutorial, we will look at two different aspects of working with the Web Audio API. First, we’ll have a look into the performance characteristics of the different AudioNodes available, their performance profile, ...
    • myMoodplay: An interactive mood-based music discovery app 

      Allik, Alo; Fazekas, György; Barthet, Mathieu; Swire, Mark (Georgia Institute of Technology, 2016-04)
      myMoodplay is a web app that allows users to interactively discover music by selecting desired emotions. The application uses the Web Audio API, JavaScript animation for visualisation, linked data formats and affective ...
    • Constellation: A Musical Exploration of Phone-Based Audience Interaction Roles 

      Madhavan, Nihar; Snyder, Jeff (Georgia Institute of Technology, 2016-04)
      With Constellation, we explore a system for audience interaction with performers during a music performance. We seek to reconfigure the relationship between the audience and performers by designing a system for interaction ...
    • Remixing musical audio on the web using source separation 

      Roma, Gerard; Simpson, Andrew J.R.; Grais, Emad M.; Plumbley, Mark D. (Georgia Institute of Technology, 2016-04)
      Research in audio source separation has progressed a long way, producing systems that are able to approximate the component signals of sound mixtures. In recent years, many efforts have focused on learning time-frequency ...